Radionica koja kroz terapiju pokretom i plesom istražuje scensku izloženost, sigurnost ansambla i sposobnost glumca da uspostavi živu vezu s publikom. Ova radionica poziva studente glume na istraživanje vlastitog unutarnjeg prostora kroz principe terapije pokretom i plesom. Polazeći od tijela kao primarnog umjetničkog instrumenta, sudionici će kroz pokret osvještavati odnos prema vlastitim emocijama, prostoru, vremenu i partneru na sceni.
U prvom dijelu radionice, kroz vođene vježbe, improvizaciju i istraživanje scenske izloženosti, radit ćemo na osvještavanju vlastitih tjelesnih i emocionalnih reakcija koje se javljaju kada smo viđeni i prisutni na sceni. Istraživat ćemo gdje nastaje napetost, gdje nesigurnost, a gdje prostor slobode i autentičnosti. Fokus će biti na razvijanju povjerenja u vlastito tijelo, ali i na izgradnji sigurnog ansambla – prostora u kojem glumac može biti prisutan, podržan i slobodan u scenskom izrazu.
U drugom dijelu radionice uvodit ćemo alate klaunskog pristupa i elemente humora kao podršku procesu. Kroz igru, improvizaciju i međusobnu interakciju istraživat ćemo kako prihvatiti i čak uživati u scenskoj izloženosti te kako iz tog mjesta razvijati živu i autentičnu komunikaciju. Poseban naglasak bit će na razvijanju osjećaja konekcije i transfera s publikom, gdje humor postaje most između izvođača i gledatelja. Radionica otvara prostor za dublje razumijevanje tijela kao temeljnog izvora kreativnosti, prisutnosti i scenske istine.
Anamarija Jurišić Osmeričić je magistra kazališne umjetnosti – akademska glumica i lutkarica, međunarodno certificirana klaunesa te terapeutkinja pokretom i plesom. Završila je diplomski i poslijediplomski studij na Akademiji za umjetnost i kulturu u Osijeku, na kojoj je jedno vrijeme djelovala i kao suradnica na kolegijima Govor i Gluma.
Dugogodišnja je članica organizacije CRVENI NOSOVI klaunovidoktori, gdje obnaša ulogu voditeljice istraživanja i razvoja te radi kao klaunovidoktorica. U svom desetogodišnjem radu s djecom i mladima posebnu pažnju posvećuje razvijanju kreativnosti, emocionalne inteligencije i izražavanja kroz pokret, igru i humor. Educirana je za rad s djecom s razvojnim teškoćama te za djelovanje u kriznim situacijama, a kao članica međunarodnog tima Emergency Smile sudjelovala je u humanitarnim misijama diljem Europe i svijeta.
Aktivna je glumica u kazalištu i na malim ekranima, gdje njeguje svoj autentični umjetnički izraz. U svom radu spaja umjetnost, znanost i terapiju, istražujući povezanost humora i neuroznanosti te utjecaj smijeha i pokreta na emocionalno i fizičko zdravlje.
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A workshop that, through dance and movement therapy, explores stage exposure, ensemble safety, and the actor’s ability to establish a living connection with the audience. This workshop invites acting students to explore their own inner space through the principles of dance and movement therapy. Starting from the body as the primary artistic instrument, participants will use movement to become aware of their relationship to their own emotions, space, time, and their partner on stage.
In the first part of the workshop, through guided exercises, improvisation, and the exploration of stage exposure, we will work on recognising the bodily and emotional reactions that arise when we are seen and present on stage. We will explore where tension arises, where insecurity appears, and where there is space for freedom and authenticity. The focus will be on developing trust in one’s own body, but also on building a safe ensemble – a space in which the actor can be present, supported, and free in their stage expression.
In the second part of the workshop, we will introduce tools from the clown approach and elements of humour as support for the process. Through play, improvisation, and mutual interaction, we will explore how to accept and even enjoy stage exposure, and how to develop a living and authentic communication from that place. Special emphasis will be placed on developing a sense of connection and transfer with the audience, where humour becomes a bridge between performer and spectator. The workshop opens space for a deeper understanding of the body as a fundamental source of creativity, presence, and stage truth.
Anamarija Jurišić Osmeričić holds a Master’s degree in Theatre Arts and is an academic actress and puppeteer, an internationally certified clown, and a dance and movement therapist. She completed both her graduate and postgraduate studies at the Academy of Arts and Culture in Osijek, where she also worked for a period as a teaching associate in the courses Speech and Acting.
She has long been a member of the organisation RED NOSES Clowndoctors, where she serves as Head of Research and Development and works as a clowndoctor. In her ten years of work with children and young people, she has placed special emphasis on developing creativity, emotional intelligence, and expression through movement, play, and humour. She is trained to work with children with developmental difficulties and to operate in crisis situations, and as a member of the international Emergency Smile team she has participated in humanitarian missions across Europe and around the world.
She is also active as an actress in theatre and on screen, where she cultivates her distinctive artistic expression. In her work, she combines art, science, and therapy, exploring the connection between humour and neuroscience, as well as the impact of laughter and movement on emotional and physical health.