Osnova za istraživački rad na ovoj radionici bit će umjetničke slike koje će sudionici „oživjeti“ i napraviti kratke dramske scene. Ove slike zapravo će biti samo okvir koji će nam poslužiti da se bavimo različitim dijelovima glumačkog procesa. Kako bi ispričali priču koju umjetnička slika potencijalno sadrži, bavit ćemo se najprije: Metodom improvizacije; Vježbama za skicu karaktera, Ritmom i tempom karaktera/ ritmom i tempom scene, Istraživanjem glumačkih sredstava s ciljem njihove potpune redukcije. Kao krajnji rezultat imat ćemo 3 etide na osnovu iste slike, gdje ćemo pokušati prikazati na koji način se priča, karakteri i njihovi međusobni odnosi mijenjaju u odnosu na različitu upotrebu tempa i ritma i korištenje različitih postupaka (ili izostavljanje istih).
Milan Novaković rođen je 26.maja 1989. u Odžacima. Završio je osnovne i master studije glume u klasi profesora Ljuboslava Majere na Akademiji umetnosti u Novom Sadu. Titulu doktora umetnosti stekao je 2024. godine obranivši tezu Principi komičnog pri kreiranju likova u postavci komada Ljubinko i Desanka Aleksandra Popovića pod mentorstvom prof. Vide Ognjenović.
Ostvario je uloge u Srpskom narodnom pozorištu, Beogradskom dramskom pozorištu, Narodnom pozorištu u Subotici, Pozorištu Mladih u Novom Sadu, Kulturnom centru Novog Sada i dr. Igra i na filmu i televiziji. Vodio je i učestvovao u brojnim glumačkim radionicama širom Srbije, Evrope i Azije. Bio je član žirija na festivalima u Bratislavi, Brnu i Novom Sadu. Zaposlen je na Akademiji umetnosti u Novom Sadu kao samostalni stručni suradnik na predmetu Gluma. Živi u Novom Sadu!
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The basis for the research work in this workshop will be artistic paintings that the participants will “bring to life” by creating short dramatic scenes. These images will serve primarily as a framework that allows us to explore different elements of the acting process. In order to tell the story potentially contained within the artwork, we will focus on: the method of improvisation; exercises for character sketching; the rhythm and tempo of the character and the rhythm and tempo of the scene; and the exploration of acting techniques with the aim of their complete reduction.
The final result will consist of three etudes based on the same image, through which we will attempt to demonstrate how the story, the characters and their relationships change depending on different uses of tempo and rhythm, as well as the application—or omission—of various acting techniques.
Milan Novaković was born on 26 May 1989 in Odžaci. He completed his undergraduate and master’s studies in acting in the class of Professor Ljuboslav Majera at the Academy of Arts in Novi Sad. In 2024, he obtained the title of Doctor of Arts after defending his thesis Principles of the Comic in Character Creation in the Staging of the Play Ljubinko and Desanka by Aleksandar Popović, under the mentorship of Professor Vida Ognjenović.
He has performed at the Serbian National Theatre, the Belgrade Drama Theatre, the National Theatre in Subotica, the Youth Theatre in Novi Sad, the Cultural Centre of Novi Sad and other venues. He also works in film and television. Novaković has led and participated in numerous acting workshops throughout Serbia, Europe and Asia. He has served as a jury member at festivals in Bratislava, Brno and Novi Sad. He is currently employed at the Academy of Arts in Novi Sad as an independent professional associate in the Acting department. He lives in Novi Sad.